Showing Records: 181 - 200 of 839
Correspondence, includes: telegram from Bob Dylan, correspondence with agent Judy Boals, and American Theater magazine regarding publication of Buried Child, 1995-1996
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Correspondence including: ICM correspondence regarding contract for film,1991; Grey Larsen regarding music for film, 1988, and article written for Esquire magazine about film, 1988, 1991, undated
Correspondence regarding film rights, 1983-1985
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Correspondence regarding reviews, rights to publish excerpts, and foreign editions, 1996-1998
Correspondence regarding Tooth of Crime, including: correspondence from Signature Theater, 2 audiocassettes of T. Bone Burnett music, and contract for Burnett’s musical score
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Correspondence with Joseph Chaikin, 1994-1995
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Correspondence with Joseph Chaikin regarding The War in Heaven, 1995
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Correspondence with Volker, 1989-1990
Cost reports, April - May, 1993
6 part series, five of which aired August 1993 on CBS-TV.
Cost reports , June 1993
6 part series, five of which aired August 1993 on CBS-TV.
Costume-pilot cap
A film loosely based on Wittliff’s mother’s life about a young, divorced mother of two sons working as a telephone operator in small-town Texas during World War II. Starring Sissy Spacek, Sam Shepard, and Eric Roberts. Early drafts are titled "Nita, Henry and Harry."
Country, 1984 - 1987
Cover art proposals, undated
Cover art proposals for foreign publications: Minerva, U.K. and La Font, France, 1997
Cover art proposals for trade publications of plays: States of Shock, Far North, and Silent Tongue
Cover art proposals and galleys for compilations of Shepard’s work published by Vintage and Bantam comprise this series.
Cover pages & publicity
Covered wagon, initials “FP”
Covers (human figure under bed covers)
Cowboy
Cowboy
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